Natural Indigo · Calcium Bentonite Clay · Handmade by AppleOak FibreWorks
Our Maya Blue is a beautiful mineral-organic pigment handmade in small batches using natural indigo and finely powdered calcium bentonite clay.
Through careful preparation and controlled heating, the indigo and clay combine to create a soft, mineral-rich blue with wonderful depth. Depending on the concentration, binder and surface, it can produce shades ranging from smoky indigo and blue-grey to softer blue-green. At the moment we only have the dark blue available, please see picture with colour samples in the second picture.
Product: Maya Blue pigment
Colour source: Natural indigo
Mineral base: Calcium bentonite clay
Principal clay mineral: Montmorillonite
Process: Carefully combined and heat-treated
Colour: Mineral blue, blue-grey and blue-green, grey-green
Type: Mineral-organic pigment
Produced by: AppleOak FibreWorks in County Clare, Ireland
Vegan: Yes
Maya Blue takes its name from the remarkably durable blue pigment developed by the ancient Maya and used in murals, ceramics and manuscripts.
Its distinctive character comes from combining indigo with mineral clay—a principle that continues to inspire contemporary pigment makers.
Our small-batch version combines natural indigo with calcium bentonite to create a versatile pigment for modern artistic use.
Maya Blue can be mixed with water for painting and other suitable applications. As an insoluble pigment, it disperses rather than dissolves, so it may settle in liquid mixtures and should be stirred regularly.
It can also be combined with a suitable binder for improved adhesion, durability or water resistance, depending on the intended use.
It is not recommended for fountain pens, technical pens or airbrushes, as the mineral particles may settle or obstruct fine mechanisms.
Maya Blue is not suitable for textiles. Do not use it for textile printing, textile painting, fabric dyeing or other textile applications.
For a rich natural paint, try mixing the pigment with soya milk. The resulting paint can be applied to paper, canvas or another suitable art surface. Soya milk is optional, and other binders, surfaces and application techniques may also work well.
The choice of mixing medium and surface affects adhesion, colour depth, transparency, finish, flexibility and water resistance.
Maya Blue is not suitable for textiles.
It should not be used for textile printing, textile painting, fabric dyeing, surface application to cloth or other textile projects. The pigment is intended for suitable art surfaces such as paper, canvas and other prepared painting surfaces.
| Characteristic | What to consider |
|---|---|
| Water-mixable | It can be mixed with water for painting on suitable art surfaces. |
| Insoluble pigment | It disperses rather than dissolves, so some settling is normal. |
| Suitable surfaces | Use on paper, canvas and other suitable prepared art surfaces. |
| Not for textiles | Do not use for textile printing, textile painting, fabric dyeing or cloth that will be washed or for wear. |
| Settling | Stir regularly during use to keep the pigment evenly dispersed. |
| Colour variation | Concentration, medium, surface and application thickness influence the final shade. |
| Grinding | Thorough grinding or mixing can produce a smoother application. |
| Handmade batches | Slight variations in colour and particle size may occur. |
| Colour testing | Independent archival and industrial lightfastness testing has not been carried out. |
Not a food colour, cosmetic or textile dye.
Your chosen net weight of Maya Blue pigment, handmade by AppleOak FibreWorks and supplied in a sealed stand up pouch.
Binders, soya milk, brushes and other art materials are not included.
We pack as sustainably as we can while protecting your pigment. Container types may vary according to pack size and the availability of our preferred lower-impact options.
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