A simple clay base we use for creating Maya Blue in our workshop. It is also used as an inert pigment or filler in paint and other products, as well as in the refining of oils. It is a form of diatomaceous earth.
A simple clay base we use for creating Maya Blue in our workshop. It is also used as an inert pigment or filler in paint and other products, as well as in the refining of oils. It is a form of diatomaceous earth.
Chemical name: Potassium Carbonate (KâCOâ) | Grade: Textile | Use rate: 3â10%
No natural-dye studio is complete without potash (Pottasche in German). This alkaline powder (KâCOâ) is slightly stronger than soda ash and is traditionally used to raise the pH of dye baths and indigo vats, scour cellulose fibres, and intensify plant yellows such as weld by increasing alkalinity.
đĄ Note: This product was previously listed as Soda Ash (Sodium Carbonate). We have updated the listing to Potash (Potassium Carbonate) to reflect the correct material.
âą Boost pH in indigo, woad, or fructose vats
âą Add to your scouring bath
âą Intensify weld yellow and other plant yellows
âą Balance acidic dye baths when needed
âą Material: Potash (Potassium Carbonate KâCOâ)
âą Function: pH enhancer & cellulose scour
âą Dose: 30â100 g · Lâ»Âč (3â10% owf) dissolved in hot water or dye liquor
âą Compatibility: All natural dyes; indigo & woad vats
âą Packaging: Resealable moisture-proof pouch
âą Safety: Wear gloves & mask; store cool, dry, and away from acids
Dissolve the required potash in hot water (or directly into a hot dye bath) at 3â10%. Stir until clear, then add to the dye pot or fibre scour. For indigo vats, add potash after the pigment to adjust alkalinity before introducing a reducer.
Potash is strongly alkaline. Avoid inhaling dust and protect eyes and skin. Store sealed and dry; keep away from children and acids. Dispose of effluent according to local regulations.
đĄ Tip: Pair potash with our Natural Indigo Powder or Indigo Kits for a complete dye setup.
| Feature | Potash (Potassium Carbonate, KâCOâ) | Soda Ash or Sodium Carbonate, (NaâCOâ) |
|---|---|---|
| Alkalinity | Stronger | Milder |
| Best for | Indigo & woad vats needing a high pH | Controlled pH adjustment & cellulose scouring |
| Fibre use | Suitable for all natural fibres | Ideal for cellulose (cotton, linen, hemp) |
| Effect on dyes | Boosts colour strength (like weld) | Brightens plant yellows like weld |
| Traditional use | Historic indigo vat additive | General scouring & pH adjustments |
| Substitution | Can be used instead of soda ash for stronger alkalinity | Gentler option if potash is too strong |
Â
HYDROS â REDUCING AGENT FOR INDIGO / WOAD VATS
Chemical name: Sodium Dithionite (Thiox) | Grade: Textile | Use rate: †25 g per 10 L vat
Hydrosâalso known as sodium dithionite, thiox, or hydrosulfite sodiumâis the fast, reliable oxygen remover used to bring indigo or woad vats into reduction. A quick sprinkle over the surface turns the liquor a yellow-green and readies it for dipping within about an hour. However, for best performance leave the vat for 2 days before dyeing.
Why choose our Hydros
âą Consistent, high-purity powder for rapid vat activation
âą Cost-effective alternative to spectralite (use a little more, save a lot)
âą Fine, free-flowing granules supplied in a resealable pouch
Directions (10 L vat)
Set vat at 40 °C with indigo/woad and alkali already dissolved.
Sprinkle 25 g Hydros evenly over the surface. Always add Hydros to waterânever water to Hydros.
Cover and wait ± 60 min. Vat should shift to yellow-green with a metallic film.
Stir gently, keeping air out, then begin dipping.
In a nutshell
âą Function: Oxygen remover / vat reducer
âą Other names: Sodium dithionite, thiourea dioxide, thiox, hydrosulfite sodium
âą Compatibility: Indigo, woad, other vat dyes
âą Typical dose: 2â5 g · Lâ»Âč (max. 50g per 10 L)
âą Packaging: Resealable moisture-proof pouch
âą Safety: Wear gloves & mask; store cool & dry away from acids and oxidisers
Safety & storage
Keep sealed, cool and dry. Avoid inhalation of dust. Add powder to waterânever the reverseâto prevent rapid exothermic reaction. Dispose of spent vats according to local regulations and keep away from children.
Need a full setup? Pair with our Natural Indigo Kit for a ready-to-dye bundle.
Hydrated lime, also known as calcium hydroxide, is a traditional material widely used in indigo dyeing and indigo production.
Produced by reacting lime derived from limestone with water, hydrated lime is a naturally occurring alkaline material with a long history of use in indigo processing, agriculture, building and water treatment.
Hydrated lime is commonly used in indigo reduction vats, including iron-lime vats and organic fructose vats, and plays an important role in traditional indigo extraction and production methods.
| Specification | Details |
|---|---|
| Product | Hydrated Lime |
| Chemical Name | Calcium Hydroxide |
| Formula | Ca(OH)â |
| Form | Fine powder |
| Suitable For | Indigo vats, lime water, indigo extraction and indigo production |
Hydrated lime is commonly used for:
Hydrated lime is often used to prepare lime water, an alkaline solution used during the extraction and precipitation of indigo pigment from indigo-bearing plants.
Lime water helps adjust pH during extraction and is an important component in many traditional indigo production methods.
Many dyers and indigo producers keep a supply of lime water on hand for both pigment extraction and indigo vat preparation.
Many dyers use lime alongside fructose to create a simple and effective organic indigo vat.
A common recipe follows:
1 Part Indigo : 2 Parts Lime : 3 Parts Fructose
Combined with warmth, this creates a reduction vat based on sugar chemistry rather than fermentation.
Hydrated lime is produced from calcium carbonate (limestone).
When exposed to air, it slowly reacts with carbon dioxide and gradually converts back into calcium carbonate through a natural process known as carbonation.
For dyers, this means:
Stored correctly, hydrated lime remains usable for a long period, although freshness is always preferred for indigo vat preparation and indigo extraction work.
Hydrated lime is used extensively throughout our Indigo Week resources and AppleOak indigo guides.
You can explore our indigo articles and tutorials here:
https://appleoakfibreworks.com/blogs/news
Looking to deepen your natural dyeing knowledge and connect with other passionate dyers?
Start by joining our free Natural Dyers Academy community, where you'll find inspiration, discussions, resources, and opportunities to learn more about natural dyes, mordanting, fibre preparation, colour exploration, dye plant cultivation, and sustainable textile practices.
Join the free community here:
https://the-natural-dyers-academy.mn.co/share/Mz7coMI6VgbJMchB?utm_source=manual
Inside the community you'll find:
âą Natural dyeing discussions and inspiration
âą Helpful resources and learning opportunities
âą Dye plant growing and harvesting tips
âą Colour studies and recipe sharing
âą Community support from fellow natural dyers
âą Information about workshops, courses, and Academy membership options
If you'd like more structured learning, in-depth tutorials, workshops, and exclusive resources, you can also explore our full Natural Dyers Academy membership from within the community.
________________________________________________________________________________________________
For textile, craft and technical use only.
Not intended for food, cosmetic or medicinal applications.
It is possible to create a vat from indigo, lime (calcium hydroxide) and over-ripe fruit such as bananas or dates that relies on the chemistry of the sugars* rather than fermentation of the fruit. But itâs easier to simply use fructose shared in
Michel Garciaâs 1-2-3 recipe. Itâs very simple: One Part indigo, two parts lime and three parts fructose, plus warmth.
*Fructose and glucose found in ripe fruit are reducing sugars; ordinary sugar â sucrose â is not a reducing sugar.Â
Calcium carbonate, commonly known as chalk, has long been used in natural dyeing and textile preparation. It is particularly valued in traditional cellulose mordanting, where it is used during the dunging process to help stabilise aluminium acetate and prepare fibres for dyeing.
At AppleOak FibreWorks, we offer two sources of calcium carbonate:
A traditional, finely milled chalk widely used in textile work, natural dyeing and decorative applications.
Collected from limestone sourced near the Burren, one of Ireland's most iconic limestone landscapes. Rich in naturally occurring calcium carbonate, this minimally processed chalk performs beautifully for dunging and textile work.
As it is collected in its natural state, occasional small stones or mineral particles may be present. If required, simply sieve before use.
| Specification | Details |
|---|---|
| Product | Calcium Carbonate |
| Also Known As | Chalk, Blanc de Meudon, Blanc d'Espagne |
| Function | Dunging, mordanting and dyeing aid |
| Form | Fine powder |
| Suitable For | Natural dyeing, textile preparation, pigment work |
Calcium carbonate is commonly used for:
Historically, dunging often involved cow dung. Today, calcium carbonate provides a cleaner and more practical alternative while serving a similar purpose in many mordanting systems.
Stir thoroughly before use, if you are using Burren stone, double the quantity.
Calcium plays an important role in many madder dye baths.
Where local water is naturally soft and low in calcium, adding calcium carbonate can help encourage brighter, clearer red shades.
Both products perform well in natural dyeing applications.
âą you prefer a traditional textile-grade chalk
âą you want a consistently fine texture
âą you value locally sourced materials
âą you enjoy working with minimally processed natural materials
âą you appreciate a connection to place and landscape
Looking to deepen your natural dyeing knowledge and connect with other passionate dyers?
Start by joining our free Natural Dyers Academy community, where you'll find inspiration, discussions, resources, and opportunities to learn more about natural dyes, mordanting, fibre preparation, colour exploration, dye plant cultivation, and sustainable textile practices.
Join the free community here:
https://the-natural-dyers-academy.mn.co/share/Mz7coMI6VgbJMchB?utm_source=manual
Inside the community you'll find:
âą Natural dyeing discussions and inspiration
âą Helpful resources and learning opportunities
âą Dye plant growing and harvesting tips
âą Colour studies and recipe sharing
âą Community support from fellow natural dyers
âą Information about workshops, courses, and Academy membership options
If you'd like more structured learning, in-depth tutorials, workshops, and exclusive resources, you can also explore our full Natural Dyers Academy membership from within the community.
The Burren Limestone Chalk is a natural material and may contain occasional small stones or mineral particles. Sieving before use is recommended if a finer texture is required.
For textile, craft and technical use only.
Not intended for food, cosmetic or medicinal applications.
GUAR GUM ORGANIC
Use: Printing with Natural Dyes | Botanical Name: Cyamopsis tetragonoloba | Alternative to: Gum Arabic | Alternative Name: Guaran
Guar Gum is derived from organic guar beans and is an essential ingredient in natural dye printmaking. It is used to create a paste that works effectively with mordant dyes , allowing for precise application. Guar Gum thickens as it absorbs liquid, making it ideal for printmaking on textiles. Use a handheld blender or mixer to ensure even dissolution, and adjust the amount as needed for the desired consistency.
Key Features:
Function:
Guar Gum acts as a mordant carrier in natural dyeing. When combined with mordant-based dyes, it forms a rubber-like substance that can be drawn or printed onto fabric. Once dried, the gum must be removed with a Chalk and Wheat Bran solution, followed by a rinse. The fabric is then ready for dyeing. After dyeing, rinse thoroughly and boil with a small amount of organic washing-up liquid.
Basic Recipe for Guar Gum Mordant Carrier (for Cellulose Fabrics):
Ingredients for 100g:
Storage & Usage:
Enhance your textile printing with this essential natural thickener, perfect for artists and dyeing enthusiasts.