nd then there was the nettle. Turin is a slightly shiny 4ply yarn and has much to offer! Spun in the Czech Republic, this yarn is made from wool blended with Ramie and Silk to produce a delicate but strong yarn with a cheeky shine to it. This is one of our favourites to use in plant dyed multi-colours – it makes the colours come alive – ever changing with the light.
Due to its Ramie and silk content, it makes sturdy socks, but it can also be used for knitting flattering garments. Beautifully soft but can be a little stiff at the beginning, this yarn will win you over in no time.
Pattern design by Ailbíona McLochlainn
In a nutshell for 1 skein:
60% wool & 20% Ramie & 20% Silk
4 ply
weight Fingering
100gr/ 3.5oz
425m/ 464.7yards
2-3mm needles
Hand wash only
Dyed in Ireland naturally using Madder root
COTTLECOT ~ 100% Cotton, vegan friendly
Cottlecot is our newest addition to our plant fibre yarn range. It was hard to find a plant based yarn that is pleasant to knit with. After much back and forth, we settled on this one. Though we could have gone for a cheaper cotton or an organic cotton, at this time, Cottlecot was the best. Why? It is soft and doesn't split while knitting. It will not hurt your fingers, something I have been recently told, is very often the case with cotton yarns. It is a fantastic yarn for the classroom, beginners and perfect for crochet.
The yarn is produced in South America and spun into a 3ply yarn in Italy.
Vegan friendly: Naturally dye includes insect based dyes, which is not something every vegan conscience person is aware of. We make a point of keeping our Cottlecot yarn range vegan friendly and only using plant dyes, organic and/or homegrown whenever possible.
Natural Dyes: Cottlecot isn't an easy yarn to dye naturally, especially evenly. Due to the thick and 3 ply nature of the yarn, the natural dye finds it hard to penetrate through to the core. Therefore, most of the coloured yarn will fall into the category of semi solid.
Patterns: Criostal Cardigan by Knitwear designer Albina McLaughlin
In a nutshell:
Fibre: 100% Cotton, bleached
Yardage/Meterage: 182yrds/167m
Weight: suggested Aran knitting weight ~ 100g
Origin: Grown in South America
Spun in Italy
Needle size: 3-5mm
Suggested handwash or up to 60C degrees in gentle cycle.
Below you can see what you will need for the year. Please note that these are estimated quantities — the final amount depends on how large or small you like to make your samples, but this should be sufficient for the full course year.
Contents:
• 2.5 m Liona Linen (white, 190 g/m²) or your preferred linen/hemp alternative
• 2.5 m Liolina Linen (natural beige, 280 g/m²) or your preferred linen/hemp alternative
• 5 m Habotai Silk or your preferred silk alternative
• 5 m Organic Bubble Cotton or your preferred cotton alternative
• 2.5 kg Stockholm Yarn or your preferred protein-based yarn
🌿 Please note: This fabric and fibre box is optional for the One-Year Professional Natural Dyeing Course. If you already have a supplier you work with, you’re encouraged to source your own materials. The course is designed to help you build a reference portfolio of samples, and since each fibre takes colour differently, your own choices will make your results uniquely yours.
Below you can see what you will need for the year. Please note that these are estimated quantities — the final amount will depend on how large or small you like to dye your samples. Nonetheless, this selection should be sufficient for the full course year.
Not included: organic laundry liquid, organic washing-up liquid, white vinegar
Mordants & Modifiers:
1 kg Alum
1 kg Soda Ash
300 g Cream of Tartar
500 g Sodium Acetate
1 kg Chalk
1 kg Ferrous
1 kg Tara
500 g Lime
1 kg Wheat Bran
250 g Fruit Sugar
125 g Tartaric Acid
125 g Citric Acid
25 g Fuller’s Earth
25 g Guar Gum
Dyes:
1 kg Oak Gall (ground)
250 g Pomegranate Peel (or Myrobalan, ground)
250 g Catechu
250 g Rhubarb Root (ground)
250 g Natural Indigo
100 g Cochineal
500 g Madder (ground)
500 g Madder (cut)
1 kg Weld
1 kg Dyer’s Broom
1 kg Sage Leaves (cut)
100 g Logwood (ground)
🌿 Please note: This supply box is optional for the One-Year Professional Natural Dyeing Course. If you already have a trusted dye supplier, you are warmly encouraged to source your own materials. The course will guide you in building a portfolio of reference samples, and as every dye source varies, your results may differ slightly — adding richness and individuality to your work.
Starts 13 January 2026 · Online · International cohort
This listing is for monthly payment enrolment in the 1-Year Professional Natural Dyeing Programme.
A structured, mentored programme for textile artists, makers, educators and professionals who want to develop confident, repeatable natural dye practice and build a coherent body of work over one year.
€145 per month × 12 months
This option gives full access to the complete programme, including all live teaching, recordings, community spaces, and portfolio assessment.
The learning experience is the same across all payment options — the difference is simply how you choose to pay.
Prefer a one-off payment? A pay-in-full option is also available via a separate listing.
Once enrolled, you’ll be invited into our private course platform, where you’ll find an introduction module outlining the year ahead.
Live Zoom sessions are supported by full recordings, making the programme suitable for participants joining from different time zones.
Students have one full year of active Co~Lab room access, with an additional year available to complete portfolio work, should more time be needed.
This is a 12-month, project-based online programme tailored to your own fibres, tools and studio practice. It includes:
• 12 learning modules released monthly
• Live Zoom meetings twice a month
• Recordings available after every session
• Topic-specific support spaces
• One 1:1 feedback session during the final project
• One optional 4-day in-person module in August
• Course certificate upon completion of the portfolio work
January — Fibres and their differences
February — Mordanting
March — Tannins
April — Creating blues
May — Creating yellows
June — Creating reds
July — Creating purples
August — Secondary colours & modifiers
September — Lake making and related processes
October — Printing and advanced techniques
November — Industry standards & personal project
December — Final projects & presentations
(Optional deeper explanations for each month are available on the course blog.)
Material lists are released one month in advance, alongside the previous month’s learning content. Each list outlines the fibres, dyes and materials needed for the upcoming module.
Students can choose how to source materials:
Use their own trusted suppliers
Order discounted monthly materials bundles (when available)
Purchase year-supply starter boxes before the course begins (optional)
From August onwards, monthly bundles are replaced with a discount code, as most students will have built up sufficient supplies and individual needs tend to vary.
If you already have preferred suppliers or materials, you’re very welcome to use your own — your portfolio should reflect your individual practice.
The practical setup is covered in January, at the start of the programme. A full dye studio is not required — a well-organised kitchen or small home workspace is perfectly suitable.
Guidance is provided on safe, manageable setups for domestic spaces.
Four or more online sessions led by Tristan Lienhard focus on growing and harvesting dye plants such as woad, madder and weld, with an emphasis on organic methods, seasonal timing and seed saving.
An optional in-person session may also be offered separately.
Students enrolled in the programme have full access to these sessions for one year via the Co~Lab rooms, with an additional year available to complete their course work.
Enrolment includes Natural Dyers & Growers Academy membership, with access to:
• Co~Lab discussion rooms
• Member-only threads
• Shared learning spaces and bonus sessions
Co~Lab access is active for one year, with extended access available for portfolio completion.
By the end of the programme, participants are equipped to:
• Run a professional natural dye practice
• Integrate dyeing into an existing creative business
• Teach others with confidence
• Or deepen their practice as highly informed, reflective makers
If you’d like a fuller overview of the course structure and teaching approach, you’re welcome to explore the main programme page or watch the recorded course overview before enrolling.
« The Natural Dye Course offered by Apple Oak has been a wonderful experience. It's a well blended curriculum of the history and science of natural dyeing. Jennifer does an excellent job or leading and supporting her students through the course work. She provides support through problem solving, expanding on specific topics as needed and presenting clear and concise information. It is also a very accessible platform that has made it easy for myself who has a learning disorder (reading is hard) to navigate and use. Overall I would highly recommend the professional dye course to anyone seeking to further their knowledge of natural dyes and the fiber arts through dyeing. - Valeria Q. (Ireland)
« I have found this course really worthwhile, Jennifer is super knowledgeable, helpful and patient. At the beginning I was a little overwhelmed by the portfolio work involved but once I got stuck into it, I’m absolutely loving it! Seeing colour appear before my eyes from only tannin and iron has been so amazing and I can’t wait to move on to the other colors!!- Caroline B. (Switzerland)
« I am a complete novice when it comes to natural dying. The course sounded very comprehensive and supportive so I decided to give it a whirl. I am now almost 5 months into it and am absolutely loving it so much. Although it took me a while to get my head into the space of measurements and science, Jennifer and Tristan were very supportive with questions asked and made sure everyone was on the page. It has opened up a whole new world to me and I would thoroughly recommend it. There has been a lot covered so far so my advice would be to tip away at the work so that it doesn't become overwhelming especially if your a beginner like myself. I'm looking forward to meeting the class in person and seeing the studio in the flesh. - Louise G. (Ireland)
« Jennifer and Tristen have put together an amazing course! I have been naturally dying for for a number of years and thought a knew a lot, until I began my journey with The Natural Dyers Academy. Each module brings something new, and shifts my way of looking at a process. Although the Academy is over zoom, it never feels impersonal. The cohort of learners are so willing to help one another and to offer encouragement. Jennifer has really created a nurturing learning environment. Jennifer and Tristin are always available if a question arises and you never have to wait until the next meeting to raise a question. I am so excited about creating my own work portfolio and plan on filling in with more of my own recipes based upon what I am learning. - Joanmarie S. (USA)
Starts 13 January 2026 · Online · International cohort
This listing is for full, one-off payment enrolment in the 1-Year Professional Natural Dyeing Programme.
A structured, mentored course for textile artists, makers, educators and professionals who want to develop confident, repeatable natural dye practice and build a coherent body of work over one year.
€1,550 — pay in full
This option gives you full access to the complete 12-month programme, including all live teaching, recordings, community spaces, and portfolio assessment.
Prefer to spread the cost? A monthly payment plan is also available via a separate listing.
Both payment options give full access to the complete programme; the experience is the same whether you pay in full or on a monthly plan.
Once booked, you’ll be invited into our private course platform, where you’ll find an introduction module outlining the year ahead. From there, your learning journey begins.
All live sessions are recorded, making the programme suitable for participants joining from different time zones.
Students have one full year of active Co~Lab room access, with an additional year available to complete portfolio work, should more time be needed.
This is a 12-month, project-based online programme tailored to your own fibres, tools and studio practice. It includes:
• 12 learning modules released monthly
• Live Zoom meetings twice a month (Tuesdays, 1pm GMT)
• Recordings available after every session
• Topic-specific support spaces
• One 1:1 feedback session during your final project
• One optional 4-day in-person module in August
• Course certificate upon completion of the portfolio work
January — Fibres and their differences
February — Mordanting
March — Tannins
April — Creating blues
May — Creating yellows
June — Creating reds
July — Creating purples
August — Secondary colours & modifiers
September — Lake making and related processes
October — Printing and advanced techniques
November — Industry standards & personal project
December — Final projects & presentations
(Optional deeper explanations for each month are available on the blog.)
Material lists are released one month in advance, alongside the previous month’s learning content. Each list outlines the fibres, dyes and materials needed for the upcoming module.
Students can choose how to source materials:
Use their own trusted suppliers
Order a discounted monthly materials bundle (dyes and textiles) for the following month
Purchase a year-supply starter box before the course begins (Dye Box and/or Fibre Box)
From August onwards, monthly bundles are replaced with a discount code, as most students will have built up sufficient supplies and individual needs tend to vary.
If you already have preferred suppliers or materials, you’re very welcome to use your own — your portfolio should reflect your individual practice.
The practical setup is covered in January, at the start of the programme. A full dye studio is not required — a well-organised kitchen or small home workspace is perfectly suitable for the course.
Guidance is provided on safe, manageable setups that work within domestic spaces.
Four or more online sessions led by Tristan Lienhard focus on growing and harvesting dye plants such as woad, madder and weld, with an emphasis on organic methods, seasonal timing and seed saving.
An optional in-person session may also be offered separately.
Students enrolled in the 1-Year Professional Natural Dyeing Programme have full access to these sessions for the duration of the course via the Co~Lab rooms.
When you enrol, you’ll automatically become a full Natural Dyers & Growers Academy member for one year, with access to:
• All Co~Lab rooms
• Member-only discussion threads
• Bonus sessions and shared learning spaces
Please note: Co~Lab access is available only to current students and/or paid Academy members.
Irish students may be eligible for 40% funding through NOTS.
Please note:
• The course must be booked directly via NOTS
• Monthly payments are not available for this option
• NOTS may also cover part of the Fibre & Dye Box
More information: Course Details | NOTS Courses
By the end of the programme, participants are equipped to:
• Run a professional natural dye practice
• Integrate dyeing into an existing creative business
• Teach others with confidence
• Or deepen their practice as highly informed, reflective makers
You can view work by past students in the Exhibition Gallery within the Academy, and read testimonials from previous cohorts further down this page.
If you’d like a fuller overview of the course structure and teaching approach, you’re welcome to watch the recorded course overview on the main programme page before enrolling.
« The Natural Dye Course offered by Apple Oak has been a wonderful experience. It's a well blended curriculum of the history and science of natural dyeing. Jennifer does an excellent job or leading and supporting her students through the course work. She provides support through problem solving, expanding on specific topics as needed and presenting clear and concise information. It is also a very accessible platform that has made it easy for myself who has a learning disorder (reading is hard) to navigate and use. Overall I would highly recommend the professional dye course to anyone seeking to further their knowledge of natural dyes and the fiber arts through dyeing. - Valeria Q. (Ireland)
« I have found this course really worthwhile, Jennifer is super knowledgeable, helpful and patient. At the beginning I was a little overwhelmed by the portfolio work involved but once I got stuck into it, I’m absolutely loving it! Seeing colour appear before my eyes from only tannin and iron has been so amazing and I can’t wait to move on to the other colors!!- Caroline B. (Switzerland)
« I am a complete novice when it comes to natural dying. The course sounded very comprehensive and supportive so I decided to give it a whirl. I am now almost 5 months into it and am absolutely loving it so much. Although it took me a while to get my head into the space of measurements and science, Jennifer and Tristan were very supportive with questions asked and made sure everyone was on the page. It has opened up a whole new world to me and I would thoroughly recommend it. There has been a lot covered so far so my advice would be to tip away at the work so that it doesn't become overwhelming especially if your a beginner like myself. I'm looking forward to meeting the class in person and seeing the studio in the flesh. - Louise G. (Ireland)
« Jennifer and Tristen have put together an amazing course! I have been naturally dying for for a number of years and thought a knew a lot, until I began my journey with The Natural Dyers Academy. Each module brings something new, and shifts my way of looking at a process. Although the Academy is over zoom, it never feels impersonal. The cohort of learners are so willing to help one another and to offer encouragement. Jennifer has really created a nurturing learning environment. Jennifer and Tristin are always available if a question arises and you never have to wait until the next meeting to raise a question. I am so excited about creating my own work portfolio and plan on filling in with more of my own recipes based upon what I am learning. - Joanmarie S. (USA)
100g Bag of Coloured Wool Felt Off-Cuts
Material: 100% Wool Felt | Country of Origin: Europe
Each bag contains an assortment of vibrant coloured wool felt off-cuts, offering a beautiful mix to work with. Colours and sizes are completely random, meaning we cannot guarantee specific shades or piece dimensions in each bag. This makes every selection a fun and creative surprise!
This listing is for a 100g mixed bag of high-quality coloured wool felt off-cuts. Each bag contains a variety of odd ends, strips, and pieces, ranging from small 5x5cm bits to half-sheet sizes. These are perfect for small craft projects, appliqué, patchwork, and creative upcycling.
Packaged in an eco-friendly, plant-based compostable plastic bag or paper, this felt is a sustainable choice for mindful makers.
With its soft yet durable texture, this wool felt is ideal for:
Need specific colours or sizes? Unfortunately, due to the nature of these off-cuts, we cannot accommodate special requests, but every bag is filled with a wonderful selection of colours to inspire your creativity!
Bring creativity to life with this vibrant, eco-friendly wool felt—perfect for crafters, makers, and textile artists!
A story of forest friends brings to you a Collection of Children’s Patterns covering the Age range of 6 months – 16 years as well as some adult sizes. Inspired by the famous Winnie the Pooh Stories by A. A. Milne, each garment has been designed with an individual character in mind.
The booklet has been lovingly designed with attention to detail, including small quotes and illustrations.
Pattern Design by Jessica Anderson
Designed using AppleOak's naturally dyed Softwool, this pattern book is filled with 9 easy, but very charming individual pattern designs.
3 sweater designs, 1 pair of fingerless mittens, 1 shawlette, 1 scarf, 1 hat, 1 cardigan, 1 sleeveless top.
Yarn weight: Sport
Available as hard copy, digital download or
on Ravelry!
Acacia Extract
Source: Black Acacia (Acacia mearnsii De Wild)
Acacia Extract is a high-quality, plant-based tannin obtained from the bark of Black Acacia, also known as "Black Wattle" or "Mimosa." Rich in condensed tannins (60-65%), this extract offers excellent versatility for both pre-treatment and dyeing applications.
Main Components:
Suggested Quantities (WOF - Weight of Fabric):
Uses:
The Plant:
Black Acacia, or Acacia mearnsii, is native to southeastern Australia and has become widely cultivated in tropical and subtropical regions worldwide, including South and East Africa, Brazil, and India. Known as the largest global source of plant tannins, the bark of Black Acacia contains 30-40% tannins (pro-anthocyanidins) and flavonoids, making it a valuable resource for a variety of industries.
Join The Natural Dyers & Growers Academy to share your experiences, join courses and get support from fellow growers and dyers.
Ada and Ardor (2 in 1) ~ single printed pattern**
Restraint and romance enter into dialogue, in one nuanced yet simple design. Based on the same seamless construction with contiguous sleeves and scooped neckline, this garment can be knitted as Ada (a basic cropped pullover with ribbed edgings), or Ardor (an exuberantly ruffled dress). Features of the two can also be combined, for a versatile range of stylistic options. Which version would you like to make? You may not know until you start knitting. And best of all, you need not decide till half way through the pattern.
Designed by Ailbíona McLochlainn
MATERIALS & INFO
Yarn
Apple Oak Fibre Works Softwool [300m /328y) / 100g (3.5oz)]
Ada: 3 (3, 4, 4, 5, 5) skeins
Ardor: 5 (5, 6, 6, 7, 7) skeins
shown in Pastel Twist
Gauge
10cm x 10cm (4” x 4”) = 25 sts x 34 rows, in stockinette, with Needle A
Needles
Needle A: circular needle, 3.25mm (US 3) in diameter (or as needed to meet gauge)
Needle B: circular needle, 2.75mm (US 2) in diameter (or .5mm [1 US size] smaller than Needle A)
Notions
tapestry needle; stitch markers; scrap yarn
Sizing & Fit
Finished garment measures as follows at chest circumference:
85cm [34”] (90cm [36”], 95cm [38”], 100cm [40”], 110cm [44”], 120cm [48”])
Select size with desired amount of ease and refer to schematic for details.
Special Techniques
provisional cast-on, short rows, ruffle
Pattern Support
For help with techniques mentioned in this pattern, visit:
Ravelry: Designs by Ailbíona McLochlainn
**a download link is available on the paper pattern. For an electronic version only, please see Ravelry: Designs by Ailbíona McLochlainn
African Tagetes Flowers
Dye Colour: Yellow and Orange | Botanical: Tagetes erecta | Grown & Dried in Ireland
Experience the joy of working with our fully dried African Tagetes flowers, which we personally produce and hand-collect in County Clare, Ireland. These vibrant yellow and orange flowers are packed with natural dye, ideal for colour extraction. While they may not be suitable for flower printing due to their bulkier size, they are perfect for adding a rich, warm tone to your dyeing projects. Limited availability – don't miss out on these unique, locally grown flowers!
Colour Fastness: Poor to Medium
Product Details:
Mordant-Based Recipe for Wool (Hot and Cold Dyeing):
Ingredients:
Instructions (Hot Dyeing):
Instructions (Cold Dyeing):
Enjoy the vibrant yellow and orange hues that this locally grown Tagetes will bring to your wool fibres, whether you prefer hot or cold dyeing methods!
Join The Natural Dyers & Growers Academy to share your experiences and get support from fellow growers.
Dye Colour: Yellow and Orange | Botanical: Tagetes patula | Grown & Dried in Ireland
Bring the warmth of summer to your fibre work with our hand-harvested African Tagetes flowers (Tagetes patula), grown and dried in County Clare, Ireland. These marigold-like blossoms yield rich yellow and orange hues ideal for natural dyeing.
Unlike Tagetes erecta, this smaller-flowered variety is more delicate in shape, making it well suited to both dye extraction and eco-printing, as well as bundle dyeing. Its accessible petal structure makes it a favourite for surface design artists - though the pressed or fresh versions would work better.
🌼 Limited availability – grown in small batches using ecological methods.
Poor to Medium
Quantity: 25g (approx. 25–35 flower heads)
Grown & Dried in: County Clare, Ireland
Ideal for: Colour extraction, eco-printing, surface design
25g of Tagetes patula flowers
100g of wool fibre
10% alum mordant (based on fibre weight)
Soak flowers overnight in water
Boil for 1 hour to extract the dye, then strain
Add mordanted wool and simmer for 1 hour
Leave the wool to cool overnight in the bath for richer tones
Rinse gently and dry
Soak the flowers for 24–48 hours in cool water
Strain the flowers and add mordanted wool to the bath
Let sit 1–3 days, stirring occasionally
Rinse gently and dry when colour is achieved
Enjoy rich, locally grown colour whether you're dipping skeins or creating botanical prints.
Join the Natural Dyers & Growers Academy to share your results, get support, and connect with fellow fibre growers and natural dye artists.
TAGETES SEEDS (Tagetes erecta / African Marigold)
Dye Colour: Yellow & Orange | Country of Collection: Ireland
Tagetes erecta, commonly known as African Marigold, produces stunning yellow and orange double flowers with an anemone-like shape. Growing to a uniform height of 25-30cm (10-12in) with blooms 5-7cm (2-2.5in) in diameter, they have a striking geometric appearance. These vibrant flowers are perfect for dyeing and eco-printing, bringing warm golden hues to your textile projects.
🌱 Sowing Period: Early February to late May
⏳ Germination Time: 5 – 14 days
🌿 Height: 25 – 30cm (10 – 12in)
☀️ Preferred Garden Location: Full sun with well-drained soil
NOTE: Seeds and plants can only be shipped within Europe. Flowers can be used fresh or dried for dyeing and eco-printing.
Join The Natural Dyers & Growers Academy to share your experiences and get support from fellow growers.
ALDER CONES – Alnus glutinosa
Natural Dye Material | Rich in Tannins | Origin: Europe
Alder cones, much like alder bark, are rich in natural tannins that yield soft, earthy shades of brown, beige and warm yellow. Depending on the concentration and modifiers used, they can produce both gentle golden hues and deeper nut browns with a pleasant, organic tone.
Naturally high in tannins, alder cones offer medium to good colour fastness and can be used alone or as a tannin base before other plant dyes.
• Colour range: yellow–brown to warm chestnut tones
• Tannin level: moderate to high
• Colour fastness: medium to good
• Use for: wool, silk, cotton, linen and paper
Iron modifiers darken the colour, shifting it towards greys and warm browns.
Mordant: Alum 10–15% WOF (weight of fibre)
Dyestuff: Alder cones 100–200% WOF
Pour boiling water over the cones and allow to steep for 24–48 hours.
Simmer gently for about 2 hours, then strain.
Add the pre-mordanted fibre to the dye bath and leave until the desired shade is reached, or soak overnight for stronger results.
For deeper tones, add a small amount of iron modifier at the end of the dyeing process and/or leave out the Alum mordant.
• Botanical name: Alnus glutinosa
• Form: Whole cones
• Origin: Europe
• Use: Natural dye / tannin source
• Colour fastness: Medium to good
• Storage: Keep dry, cool and away from direct sunlight
An earthy, versatile tannin source producing warm, natural tones — ideal for both standalone dyeing and tannin-rich underlayers.
ALKANET ~ Dye Colour: Purple, grey
Our ALKANET ROOT is harvested in India. Its colour ranges from purple to blue to grey, depending on the extraction method and mordants used. Please note that alcohol extraction is necessary for obtaining true purples.
Colour fastness: Poor
Though we sell alkanet in our shop, I never use it. It isn't lightfast and due to needing a heated alcoholic solution it can become quite pricey when living in Ireland! However, if you would like to give it a go, alkanet is a mordant dye after extraction.
Join The Natural Dyers & Growers Academy to share your experiences and get support from fellow growers.
ALLO – Handwoven Himalayan Nettle Fabric
Origin: Nepal | Weave: Herringbone | Width: Approx. 65cm
Please note, this is Himalayan nettle (Girardinia diversifolia), not European nettle.
Orders of more than one piece will be cut in one continuous length unless directed otherwise.
The humble nettle—often dismissed for its sting—is a true natural treasure. It can be eaten, brewed as tea, used for dyeing, gardening, and, most notably, spun into fibre like flax.
ALLO differs from our FANEEL Nettle fabric with its herringbone weave rather than a straight pattern. Otherwise, they are identical.
Made from wild-harvested Himalayan Nettles, this fabric is ethically produced in Nepal, supporting homemakers, women, and families with fair wages and home-based work opportunities.
Once known as the "linen for the poor" in Europe, nettle fabric was widely used before being replaced by linen and cotton.
In Nepal, Himalayan nettles grow up to 3m tall and are still harvested by hand. The fibres are softened in a wood ash bath overnight, beaten on stone, and rubbed with clay to remove plant debris. Naturally coloured, each piece varies from straw yellow to grey-brown or dark brown. Every handwoven length is unique, offering an eco-friendly, durable textile that insulates body warmth, withstands boiling, and softens beautifully with wear.
Perfect for making blazers, jackets, trousers, vests, winter clothing, children’s wear, cushions, tablecloths, curtains, bags, upholstery, and embroidery.
Nettle yarn was once a staple fibre in Europe, rivaling flax and hemp. The 18th-century poet Thomas Campbell praised its versatility, from fine table linens to durable fabrics. Durable and sustainable, nettle remains a valuable natural fibre today.
Due to its handmade nature, availability is limited. Please contact us for larger quantities.
This super soft, long-haired Alpaca top, carded into a band, is great for spinning and felting. All hairy fibres have been removed and only the very soft fibres remain.
Alpaca fibre is wonderful for felting projects, because it is so soft with less of the “tickle factor” of sheep wool. The fibres are hollow, which gives the yarn an amazingly warm and light finish. Alpaca fibre is also preferred by people, who react allergic to sheep wool, due to no Lanolin present. That, however, isn't always the case and some, especially people with dry skin, will still react to alpaca or any animal fibre.
Staple length: approx. 10-14cm
This super soft, long-haired Alpaca top, carded into a band, is great for spinning and felting. All hairy fibres have been removed and only the very soft fibres remain.
Alpaca fibre is wonderful for felting projects, because it is so soft with less of the “tickle factor” of sheep wool. The fibres are hollow, which gives the yarn an amazingly warm and light finish. Alpaca fibre is also preferred by people, who react allergic to sheep wool, due to no Lanolin present. That, however, isn't always the case and some, especially people with dry skin, will still react to alpaca or any animal fibre.
Staple length: approx. 10-14cm
This super soft, long-haired Alpaca top, carded into a band, is great for spinning and felting. All hairy fibres have been removed and only the very soft fibres remain.
Alpaca fibre is wonderful for felting projects, because it is so soft with less of the “tickle factor” of sheep wool. The fibres are hollow, which gives the yarn an amazingly warm and light finish. Alpaca fibre is also preferred by people, who react allergic to sheep wool, due to no Lanolin present. That, however, isn't always the case and some, especially people with dry skin, will still react to alpaca or any animal fibre.
Staple length: approx. 10-14cm
This super soft, long-haired Alpaca top, carded into a band, is great for spinning and felting. All hairy fibres have been removed and only the very soft fibres remain.
Alpaca fibre is wonderful for felting projects, because it is so soft with less of the “tickle factor” of sheep wool. The fibres are hollow, which gives the yarn an amazingly warm and light finish. Alpaca fibre is also preferred by people, who react allergic to sheep wool, due to no Lanolin present. That, however, isn't always the case and some, especially people with dry skin, will still react to alpaca or any animal fibre.
Staple length: approx. 10-14cm
This super soft, long-haired Alpaca top, carded into a band, is great for spinning and felting. All hairy fibres have been removed and only the very soft fibres remain.
Alpaca fibre is wonderful for felting projects, because it is so soft with less of the “tickle factor” of sheep wool. The fibres are hollow, which gives the yarn an amazingly warm and light finish. Alpaca fibre is also preferred by people, who react allergic to sheep wool, due to no Lanolin present. That, however, isn't always the case and some, especially people with dry skin, will still react to alpaca or any animal fibre.
Staple length: approx. 10-14cm
This super soft, long-haired Alpaca top, carded into a band, is great for spinning and felting. All hairy fibres have been removed and only the very soft fibres remain.
Alpaca fibre is wonderful for felting projects, because it is so soft with less of the “tickle factor” of sheep wool. The fibres are hollow, which gives the yarn an amazingly warm and light finish. Alpaca fibre is also preferred by people, who react allergic to sheep wool, due to no Lanolin present. That, however, isn't always the case and some, especially people with dry skin, will still react to alpaca or any animal fibre.
Staple length: approx. 10-14cm
Wrap yourself into the warmth and smoothness of Alpaca Fino!
While similar to sheep’s wool, it is warmer, not prickly and has no lanolin making it a great choice for people sensitive to wool.
This DK weight yarn is a real classic - it is smooth with a beautiful gentle sheen. Fino shows off stitch work beautifully and is very easy to wear and take care of. Due to its slouchy and drapey effect it is best suited for flowing and body skimming pieces, ideally knitted seamlessly.
--------------------
All our Alpaca yarns come from the Peruvian Andes
The entire production ~ from Alpaca farmer to the spun yarn ~ is done within Peru, supporting local employment and a low carbon footprint.
Fino is available in 7 lovely natural undyed shades.
In a nutshell for 1 skein:
100% Alpaca (fine)
weight DK
100g/3.5oz
200m/218.72yds
4mm needles
Handwash
This is a natural product and may contain natural debris ie. Straw which can be easily removed.
Wrap yourself into the warmth and smoothness of Alpaca Fino!
While similar to sheep’s wool, it is warmer, not prickly and has no lanolin making it a great choice for people sensitive to wool.
This DK weight yarn is a real classic - it is smooth with a beautiful gentle sheen. Fino shows off stitch work beautifully and is very easy to wear and take care of. Due to its slouchy and drapey effect it is best suited for flowing and body skimming pieces, ideally knitted seamlessly.
--------------------
All our Alpaca yarns come from the Peruvian Andes
The entire production ~ from Alpaca farmer to the spun yarn ~ is done within Peru, supporting local employment and a low carbon footprint.
Fino is available in 7 lovely natural undyed shades.
In a nutshell for 1 skein:
100% Alpaca (fine)
weight DK
100g/3.5oz
200m/218.72yds
4mm needles
Handwash
This is a natural product and may contain natural debris ie. Straw which can be easily removed.
Wrap yourself into the warmth and smoothness of Alpaca Fino!
While similar to sheep’s wool, it is warmer, not prickly and has no lanolin making it a great choice for people sensitive to wool.
This DK weight yarn is a real classic - it is smooth with a beautiful gentle sheen. Fino shows off stitch work beautifully and is very easy to wear and take care of. Due to its slouchy and drapey effect it is best suited for flowing and body skimming pieces, ideally knitted seamlessly.
--------------------
All our Alpaca yarns come from the Peruvian Andes
The entire production ~ from Alpaca farmer to the spun yarn ~ is done within Peru, supporting local employment and a low carbon footprint.
Fino is available in 7 lovely natural undyed shades.
In a nutshell for 1 skein:
100% Alpaca (fine)
weight DK
100g/3.5oz
200m/218.72yds
4mm needles
Handwash
This is a natural product and may contain natural debris ie. Straw which can be easily removed.
Wrap yourself into the warmth and smoothness of Alpaca Fino!
While similar to sheep’s wool, it is warmer, not prickly and has no lanolin making it a great choice for people sensitive to wool.
This DK weight yarn is a real classic - it is smooth with a beautiful gentle sheen. Fino shows off stitch work beautifully and is very easy to wear and take care of. Due to its slouchy and drapey effect it is best suited for flowing and body skimming pieces, ideally knitted seamlessly.
--------------------
All our Alpaca yarns come from the Peruvian Andes
The entire production ~ from Alpaca farmer to the spun yarn ~ is done within Peru, supporting local employment and a low carbon footprint.
Fino is available in 7 lovely natural undyed shades.
In a nutshell for 1 skein:
100% Alpaca (fine)
weight DK
100g/3.5oz
200m/218.72yds
4mm needles
Handwash
This is a natural product and may contain natural debris ie. Straw which can be easily removed.
Wrap yourself into the warmth and smoothness of Alpaca Fino!
While similar to sheep’s wool, it is warmer, not prickly and has no lanolin making it a great choice for people sensitive to wool.
This DK weight yarn is a real classic - it is smooth with a beautiful gentle sheen. Fino shows off stitch work beautifully and is very easy to wear and take care of. Due to its slouchy and drapey effect it is best suited for flowing and body skimming pieces, ideally knitted seamlessly.
--------------------
All our Alpaca yarns come from the Peruvian Andes
The entire production ~ from Alpaca farmer to the spun yarn ~ is done within Peru, supporting local employment and a low carbon footprint.
Fino is available in 7 lovely natural undyed shades.
In a nutshell for 1 skein:
100% Alpaca (fine)
weight DK
100g/3.5oz
200m/218.72yds
4mm needles
Handwash
This is a natural product and may contain natural debris ie. Straw which can be easily removed.
Wrap yourself into the warmth and smoothness of Alpaca Fino!
While similar to sheep’s wool, it is warmer, not prickly and has no lanolin making it a great choice for people sensitive to wool.
This DK weight yarn is a real classic - it is smooth with a beautiful gentle sheen. Fino shows off stitch work beautifully and is very easy to wear and take care of. Due to its slouchy and drapey effect it is best suited for flowing and body skimming pieces, ideally knitted seamlessly.
--------------------
All our Alpaca yarns come from the Peruvian Andes
The entire production ~ from Alpaca farmer to the spun yarn ~ is done within Peru, supporting local employment and a low carbon footprint.
Fino is available in 7 lovely natural undyed shades.
In a nutshell for 1 skein:
100% Alpaca (fine)
weight DK
100g/3.5oz
200m/218.72yds
4mm needles
Handwash
This is a natural product and may contain natural debris ie. Straw which can be easily removed.
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